(from Toyota Press
Release) In the year 2054, some cars
will be self-cleaning, some will drive in an accident free system,
and some will change colors on command.
At least that's the
vision of the future in Steven Spielberg's upcoming film "Minority
Report," starring Tom Cruise. The film, based on a short story by
science fiction writer Philip K. Dick, is an action-detective
thriller set in Washington, D.C. in 2054, where police utilize a
psychic technology to arrest and convict murderers before they
commit their crime. Tom Cruise plays the head of this precrime unit
and is himself accused of the future murder of a man he hasn't even
met.
When it came time to conceptualize automotive
transportation for the futuristic setting, Spielberg turned to Lexus
as a potential partner. "I've been driving a Lexus SUV," Spielberg
said. "And I thought Lexus might be interested in going into a
speculative future to see what the transportation systems and cars
would look like on our highways in 50 years. The result of that
exploration is something that elevates and transforms driving into
an environmental experience."
Imagining the
Future
Conceptualizing and creating the film's
2054 setting - including its transportation systems - began nearly
three years ago. From the outset, Spielberg wasn't interested in
creating a fantastical science fiction film but, rather, a future
reality film. The first step was to call together a diverse team of
designers and futurists to speculate on what the year 2054 might
actually look like. Among the participants were conceptual artist
Harald Belker and representatives from Calty, the Toyota/Lexus
design studio in Southern California.
Discussions were
wide-ranging and included topics such as the future of medical
advancements, social theories, defense issues, advertising,
infrastructure, technology, workplace and household appliances, and
of course, cars. There was talk of new inventions, including iris
colorants, anti-boredom gelcaps, additional alphabet letters, spray
meat, and magnetic levitation transportation systems.
These
early sessions would inform much of the design of the futuristic
world of "Minority Report." Belker - whose film credits include
"Batman & Robin," "Inspector Gadget" and "Armageddon" – was
commissioned to design the film's vehicles, including cars for a
vast urban magnetic levitation (MAG-LEV) system, as well as an
individual off-system car for driving outside the city. Lexus
provided design and luxury cues for the cars, and gave Belker the
lowdown on advanced interior technology. "That sophisticated,
forward thinking for cars is really a hallmark of Lexus," says
Belker.
The MAG-LEV
System
In the film's design for its Washington,
DC setting circa 2054, a mass transportation system uses
electrical/magnetic energy - much like that which sends a bullet
train speeding along - with horizontal and vertical surfaces covered
with "roadways" made of magnetic discs that support and propel
various vehicles. In this accident-free, computer-controlled system,
vehicles move at speeds of 80 to 100 miles per hour. In the city's
transportation layout, private pods, taxis and multi-passenger cars
all negotiate the MAG-LEV system. As cars travel, they make seamless
transitions between vertical and horizontal surfaces.
"We
discussed how a future goal will be individual transportation within
a mass transport system," says Belker. "The discussion gravitated
from traveling in personal cabins, into the direction of a
futuristic car which works on a MAG-LEV system – something between a
capsule and a car."
The result is a car which travels up an
apartment building, for example, to "dock" at a person's residence.
Once there, a door slides open that doubles as a living room window;
at that point, the car’s seats can even provide additional seating
in the living room. While parked, the car performs maintenance
checks, auto-repairs, recharges and self cleans.
When
residents enter their car to depart back onto the system, they are
essentially stepping from the living room into another room of the
house. In fact, inside the car, the seats and furnishings bear more
relation to a room environment than a car. Highly-styled,
comfortable seats conform to individual bodies; seating
configurations can be changed so passengers can face forward or each
other. The entire environment lends itself to a video screen which
allows the "driver" to perform a multitude of functions. . .none of
which has to do with driving.
The Off-System Sports
Car
For scenes calling for Cruise's character
to drive outside the city limits, a radical red off-system sports
car was designed and tailor-built to fit the star. While this car
isn't likely to be on Lexus showroom floors in 2054, the red Lexus
sports coupe is more similar to present-day vehicles-featuring the
familiar four wheels and designed to be driven on a traditional road
system. In designing the sports car, Belker says, "the goal was to
create something unlike anything seen before, and really give it the
'WOW!' effect. We set out to have a lot of fun with it for a big
bang impact."
In the end, this futuristic Lexus - designed as
a high-performance, two-seat personal sports car - flexes a muscular
design with the ultimate in cab-forward seating; a low, enclosed
wheelbase for sportiness; aggressive lines, and proportions so
unexpected that, at first glance, it's not entirely evident which
end is the front and which is the rear.
Conceptually, this
sports car features an electric engine, heads-up instrumentation
with night vision and organic recognition capability,
color-selectable body panels (changeable with a simple owner voice
command), DNA recognition entry and ignition system, and auto valet
- a feature that allows the car to drop the owner off at a desired
location, park itself for recharging, and arrive for owner pick-up
at the commanded location.
Making the cars. . .from
abstract to "action!"
Once the vehicle needs for the film were
identified, Belker started sketching, creating fairly tight
illustrations which would first be presented to production designer
Alex McDowell ("Fight Club," "The Crow") and then, Spielberg.
Spielberg would provide his input, make suggestions and
modifications, and Belker would incorporate his notes in a fresh
design.
From the approved sketches and renderings, Belker and
his staff built 3-D models, pacing themselves quickly to meet
deadlines. Being handed several sketches of different pieces each
morning - such as knobs, seats, wheels, windshields - Belker's
designers would model through the afternoon. By the next day they
would ship out the model and e-mail the blueprint of another piece
to CTEK, the Santa Ana, California-based technology design and
development firm chosen to construct the cars.
Of course,
Belker says, part of the process was picking out features like
fabric and colors. "Since Lexus is all about luxury and comfort, we
had to meet those standards as well. . . although sometimes in movie
cars, it’s more about the look than the actual
cushiness."
When the designs got to CTEK, the engineering
department would sort out demands for such facets as metal and
electrical components. Then, when the 3-D models were turned in,
CTEK would build the vehicles to full-size
specifications.
Each vehicle had certain requirements. In the
case of the red off-system sports car, it had to be fully-electric
and maintain 70 miles per hour for stretches of time. Even though,
in automotive parlance, that car was deemed a "concept car," it had
to be functional: doors had to open, the steering wheel had to tilt,
seats had to recline. And of course, to reach top velocity and
perform on-screen as well as it does, the coupe - powered by 47
batteries and an all-electric motor - required an intact four speed
standard shift with reverse. Post-production computer-generated
special effects create the coupe's futuristic instrumentation,
including a "heads-up display" (an on-windshield projection
providing a clear view of controls and gauges a driver would
typically have to look down for).
For the MAG-LEV vehicle,
rotating pods substitute for wheels. Swiveling seats were installed
to enable driving from either end. The vehicle has a full-glass
roof, which is on prominent display during some chase scenes, and
doors that, similar to sliding glass doors, open from the center to
allow the occupant to step out. In the film, Cruise's MAG-LEV is a
jade green with tinted glass on the sides as well as the roof. As
with the coupe, the heads-up display images are also computer
generated in this model.
In the case of both cars, luxurious
touches were added inside with wood grain paneling, leather wrapped
interiors, and glistening screens.
In all, these two vehicles
- along with a dozen other background vehicles - were created from
sketch to completion in about two months to become the
fully-appointed, fully-functional Lexus road-stars of "Minority
Report."
As "Minority Report" premieres, Belker reflects on
his work on this "dream project." "I regard this movie as the 'Blade
Runner' for my generation, so I would have given anything to work on
it. And then, on top of that, having Lexus' involvement ensured
everything came together perfectly during the different phases of
exterior and interior design and construction. They're an ideal
partner."
Specifications
Engine: Smart recharging
electric engine Kilowatts: 500 Wheelbase: 106 in.
Length: 146 in. Width: 82 in. Curb Weight: 2300 lbs.
Chassis: Carbon Fiber & Titanium Composite Monocoque
Suspension: Titanium Composite, Fully-Independent
Double-Wishbone with Adaptive Variable Suspension (AVS),
Speed-Sensitive Automatic Height Control (AHC) Brakes:
Computer-Controlled, Servo/Electronic, Ceramic Hybrid Discs, and
Regenerative Electric System to charge all Systems. Wheels and
Tires: 6-Spoke, Titanium Alloy, C-TEK Wheels, 22x9.5-inch with
285/30R22, High-Speed Run-Flat Tires
Features
Heads-Up instrumentation with Night
Vision and Organic Recognition capability
Color-impregnated, carbon composite body
panels with dent-resistant memory
Body conforming bucket seats with
automatic heating and cooling functions
Laser Guided Cruise Control
Stereolithography formed body panels
Body panels color selectable by owner
voice recognition
All systems fully computer-controlled
with Voice-Activated and Gesture-Recognition capability
All rearward vision via cameras rather
than mirrors
Sonar Parking Assist
Switchable-tint glass all-around with
solar panel glass in roof
Retractable solar body panels for
recharging and interior climate control during parking
Information system display doubles as
owner-recognizable personal computer
DNA Recognition Entry and Ignition
System: Via sensory intelligence, the system allows owner to enter
and start vehicle.
Accident Avoidance System: Infrared
technology senses what's ahead to warn of impending danger. Sonar
parking assist and rearward vision cameras. Dent resistant memory
metal protects exterior from dents and/or scratches.
Self-Diagnosis System: Car automatically
detects and alerts any mechanical or electrical problems.
Voice-Activated Concierge Service will schedule necessary service
appointments. A Lexus representative will travel to owner’s
preferred location to service the car.
Auto Valet: Once the car drops the owner
off, it then parks to recharge (its retractable solar body panels
automatically adjust to accommodate recharging). Upon remote
command, the car will arrive at requested location.
Global Digital Entertainment System (with
Universal Translator and Personal Digital Recorder): Comprehensive
music library, archived with a global directory; updates daily via
cyber connection. The PDR automatically records shows via request
(similar to TiVo today). The system alerts to breaking news,
weather, stock, and/or sports reports based on personal profile
data.
Voice-Activated Concierge Service (with
Internet Search): Reserves restaurant, hotel and entertainment
events via voice command. Weather Sensitive Response System:
Solar panel triggers automatic window tint, adjusting the level of
bright light to the driver's sensitivity. Tire traction adjusts
automatically to road conditions.